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film

Pink Screens — Queer Xperimental

Seven shorts yay!

Sat 01.11.2025
20:30

Touch me with your eyes — Anais Kabore

2025 Belgium 26 minutes, in Dutch, SUB EN-FR
in the presence of the director

An exploration of young love as a tender and mysterious phenomenon, capturing the fragile journey of two girls as they come to understand intimacy. Blurring the boundaries between documentary and fiction, the story creates an atmosphere that reveals both the beauty and complexity of love and life, inviting viewers to reconsider the sensory and physical dimensions of cinema.

Yasak Ask – Forbidden Love — Yavuz Kurtulmus

2025 Austria 12 minutes, little dialogue (in English, SUB FR)

Two gay men meet tenderly and in secret in Turkey, where forbidden desire faces fear and oppression.

The princess and the peacock — Daniel Baker-Wells

2024 Germany United Kingdom 12 minutes, in English, SUB EN

Created entirely by a queer team, this short-film is a rare and intimate glimpse into the transformative role freakshow can play in the FLINTA (Female, Lesbian, Intersex, Non-binary, Trans, A-gender) community, as a powerful ritual space for catharsis, connection and healing.

Nunca fuimos un desierto — Agustina Comedi

2025 Argentina 12 minutes, in Spanish, SUB EN

A group of dancers challenge the choreography of the Pericón, Argentina’s national folk dance, to question a vision of the homeland imagined as white, binary, and civilized.

Le prime volte — Giulia Cosentino & Perla Sardella

2025 Italy Spain 16 minutes in Italian, SUB EN

Emilia and Caterina write to each other, reminiscing about their teenage years and earliest experiences at boarding school in the 1950s. ​Had they chosen the lives they truly wanted?

Shame — Hadi Moussally

2024 France Lebanon Spain 4 minutes, in Arabic, SUB EN

Salma takes off her coat during a photo session in the 19th century Levant, unaware that this gesture would cause chaos and shame (عيب) around her.

Nightwalker — Ayanna Dozier

2022 United States 7 minutes, in English, SUB EN

"Nightwalker" codes disproportionately target Black femmes or women whose appearance is judged ‘too risqué'. The film exposes the overlap between surveillance and a predator’s gaze.

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