To the Other Side of the Concrete Wall — a reading by Katayoon Barzegar & Niloufar Nematollahi
reading
WE 29.11.2023 19:30

"To the Other Side of the Concrete Wall" is a publication of translated essays by feminists in Iran that attempts to imagine beyond walls of oppression by navigating the intersections of writing and the everyday becomings of a feminist revolution. It includes writings of Elaheh Mohammadi and Niloofar Hamedi, the journalists who were arrested in September 2022 after covering the news of Jina Amini’s murder. Niloofar and Elaheh are still in Tehran’s notorious Even prison today. "To the Other Side of the Concrete Wall" also includes an essay on the experience of arrest and detention at Evin prison told from the perspective of an anonymous writer who was incarcerated following the Jina Uprising. These pieces together with two essays by Elaheh and Niloofar’s friend and editor-in-chief of the feminist platform Harass Watch, Ghoncheh Ghavami, are brought together and translated into English for the first time in "To the Other Side of the Concrete Wall".

 

"To the Other Side of the Concrete Wall" was seed-funded by BAK and published by Jina Collective. Jina Collective is a Netherlands-based feminist, leftist, anti-capitalist, anti-sexist, and pro-LQBTQ+ activist group that emerged from the Jina Uprising.
https://www.instagram.com/bakbasis/
https://www.instagram.com/jina_collective/
 

Katayoon Barzegar is a visual artist and researcher. Notions of body and space make up the core of Barzegar’s artistic and research practice—in-situ spatial interventions of sculpture and video. Through bodily interactions with objects and spaces, Barzegar investigates the effects of power regimes on human individuals. She holds an MA in Artistic Research from Alzahra University, Tehran, and an MA in Fine Arts from HKU, Utrecht. 
https://www.instagram.com/katayoon.barzegar/

Niloufar Nematollahi is a writer, translator, artist, and organiser currently based in Amsterdam. With a background in fine arts and Middle Eastern studies, international relations, and cultural analysis, she has conducted research on the literary genre of Farsi oil fiction and the politics of electronic dance music in Iran. Her current research revolves around feminist conceptualizations of contemporary labour politics in Iran.

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