Osamu Shikichi — ur phantom eyes, our crystalized pains
When an eye is an eye and loses its gaze, images remain there as a phantom or memory. When the water flowing from the eyes creates an ocean, you will be reborn once again from its amniotic fluid and will see a new body.
w/ Bâtard
€12 reduced
€8 student
ur phantom eyes, our crystallized pains (2020–) is an ongoing dance performance building on Shikichi’s choreographic practice over the years. Playing with wet (weird erotic tension) images or images of pain—such as a crucified body or the treatment of phantom limbs—the performance builds plural concepts of the body. Using their tongue to create and lick images, Shikichi imagines it as a screen and a third hand, praying and speaking to a new political eye which they cast on the human body. In doing so, the performance introduces doubts about our ideas of human bodies, remixing and hacking systems that determine what a body is in relation to the gaze.
about
Osamu Shikichi is a choreographer and dancer from Japan. Their practice questions the human body as something often taken for granted, challenging notions of bodily self-possession and identity. Shikichi explores the idea of the anonymous body through performance, video and mediated sculptures, blurring and remixing how bodies are recognised, gazed upon and politicised. Drawing on personal experiences of dissonance between body and mind, their work focuses on wet movements, ASMR-like sensations and the circulation of affects across human and non-human bodies.
instagram.com/osamu_shikichi/
Bâtard is a Brussels-based performance festival presenting local and international emerging artists.
instagram.com/batardbrussels
90min
in English
no surtitles
+2, PMR-accessible space and PMR-accessible toilet via the elevator accompanied by someone with a building access badge (ask at reception)
Choreography and performance Osamu Shikichi
Past research supports Yuri Sakai, Kenta Kuroda, Ayaka Fujita, Chiho Utsugi, Emi Ogura, Ching Shu Huang, Géraldine Haas, Luis Garay, Stefa Govaart, and more Special thanks Pola Art foundation, P.A.R.T.S., and more.
Image: a rose on the pain (2024), Brielle, ink on the tongue