Lisa Spilliaert Growth Record 1 & 2 + Hotel Red Shoes

We are showing three short films by the young Japanese-Belgian artist, Lisa Spilliaert (JP/BE).

film screening, video
TH 18.02.2016 20:30 premiere

In addition to the screening of Growth Record 1, Growth Record 2 will premiere with us. In this long-term project, whose first two episodes are already available, Spilliaert records the growth of a child, whose mother might, as it were, have been the filmmaker herself. She had had sex with the Japanese man who became a father nine months later. Curious about the baby, she decided to photograph the child at regular intervals.

Lisa Spilliaert created a third film project, Hotel Red Shoes, together with her sister Clara. An old, nostalgic Japanese song, 'The Girl with the Red Shoes', and the Red Shoes love hotel in Tokyo together form the decor for mutually shared desire between Belgium and Japan. The film, Hotel Red Shoes, is the two sisters’ reinterpretation of the song.

Aftertalk moderated by Ann Overbergh.

+/- 60 min
NL/JP spoken
EN subtitles

Growth Record 1


8’45”
By: Lisa Spilliaert

Camera: Liam Singelyn

Montage: Elias Heuninck

Grading: Loup Brenta

Titles: Mario Debaene

Dutch monologue: Ilse Carbonez

JP-EN subtitles: Emi Kodama

NL-EN subtitles: Stijn Schiffeleers
Production: 2112

With the support of VAF Flanders Audiovisual Fund, Be-Part and The Province of West-Flandres

 Growth Record 2

9’25’’
By: Lisa Spilliaert

Camera: Liam Singelyn

Editing: Elias Heuninck
Mixing: Laszlo Umbreit

Grading: Loup Brenta

Titles: Mario Debaene

JP-EN subtitles: Emi Kodama

NL-EN subtitles: Stijn Schiffeleers

Production: 2112

With the support of VAF Flanders Audiovisual Fund, Be-Part and The Province of West-Flanders

Hotel Red Shoes


15’
By: Lisa & Clara Spilliaert

Sound recording dialogue: Johan Vandermaelen
Mixing: Elias Heuninck

Titles: Mario Debaene

Lisa Spilliaert (°1990) was born in Tokyo. Her mother is Japanese and her father Belgian. She grew up in Japan and moved to Belgium when she was 17. Spilliaert uses the rangefinder of her camera to bridge distances, and to unite mental reference frameworks.

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