This installation uncovers poetry in computers, printers, paper or a coffee maker. Bored of sitting in your office? Come visit ours!

Two artists explore the link between corn starch and the neo-liberal society: “Our society is becoming opaque, intransparent, undecipherable. One big blob of corn starch!”

Diederik Peeters makes a mockery of the concept of anger, frustrated frenzy runs as a theme through the show.

The SAN KELLER LEARING CENTER is a symbolic 'contemporary shelter', a 'survival capsule' for a life after capitalism. In case the system breaks down overnight (as some economists suspect), this CAPSULE (easily to re-build in your garden or on your roof) might save you!

Johan Lorbeer plays with the usual laws of gravity, while forcing himself to watch idly.

TINA – There Is No Alternative” was Margaret Thatcher‘s motto. Martin Schick would rather change it into: “TAMARA – There Are Many Awesome Realistic Alternatives!

Work Hard / Play Hard is a programme in which artists respond to the current labour situation with a light-hearted answer or poetical twist. Welcome!

lecture on freedom of expression. The project The Moscow Trials resumes the history of the dispute between 
artists and orthodox believers – in the form of political theatre.

Margarita Production is celebrating its 10th anniversary! For this occasion they are publishing a book which explains the operation of this alternative management bureau, as well as providing an overview of a specific generation of artists and the different projects they have realized. All this is backed up with an archive of illustrative material from insiders who create a visual testimony of the artists at work.

A magical performance about manipulation!

A freak show obituary of modernism.

Without being invited, like a friendly stranger, the artist enters community gatherings uninvited – a board of directors, a court hearing, a neighbourhood association – to give a brief lecture.

Beursschouwburg is in een zwarte nevel gehuld voor de gelegenheid van het Kunstenfestivaldesarts, die ons als festivalcentrum uitgekozen heeft. Bezoek ons dagelijks vanaf 18u en droom over welke voorstelling je deze avond wil bekijken!

a rite of change!

A woman with the body of a macho dancer

A research on image and visibility

Could you watch a play like a landscape or a face where feelings pass by like light weather changes?

“In her performance For Faces, Antonia Baehr designs micro-choreographies for four faces. We sit directly across from the performers, around whom we are positioned circularly—too near for the comfort zone of the parquet and too far apart to precisely identify the mimetic agitations in the face of our vis-à-vis. The physiognomy becomes a stage where spectatorship itself, in all its intimacy and movement, openness and force, shows its face as theatrical action par excellance. Through choreography, the faces’ movements are deprived of their decodability as coherent facial expressions; they set a zoom of attention in motion. This zoom causes performer as well as person to disappear before our eyes, just as it radically places the performer at seeing's disposal.” – Constanze Schellow

The limits of my words mean the limits of my world. (Ludwig Wittgenstein)

Strike a pose!

After watching this piece you will find yourself more attuned to the sound of laughter around you. - Islington Gazette (UK), 10/02/2011

You see what you think they are hearing. - Henry Wilt

What is the differente between seeing and witnessing?

Dragtime!

A singing Drag!

Birds (not) of a feather flock together

Shifting membranes