Diary, personal archive. Beautiful, complex, painful. Brussels-based performer Quinsy Gario reads excerpts from Ogutu Muraya’s book on the challenges of his diasporic experience.

A cross between a dance performance and a concert.

With his body as a locus, Rodrigo expands explicitness into an aesthetic, investigating straightforward language, gore-pornographic visuality and decolonization as a process of territorial battle.

To be killjoy today is to say: We are not happy, because things aren’t going well. In this world that is falling apart, to be killjoy means to resist and do the work of changing narratives.