'We put on make-up, wigs, whiskers and jeans.'

Shifting membranes

Dragtime!

Birds (not) of a feather flock together

What is the differente between seeing and witnessing?

A singing Drag!

After watching this piece you will find yourself more attuned to the sound of laughter around you. - Islington Gazette (UK), 10/02/2011

Strike a pose!

Queen Kong, Drama Kings and Desperate Housemen. Films by Antonia Baehr, Pauline Boudry, Renate Lorenz, Stefan Pente, William Wheeler & Arantxa Martinez.

You see what you think they are hearing. - Henry Wilt

Public debate on gender

The importance of imagination

The limits of my words mean the limits of my world. (Ludwig Wittgenstein)

“In her performance For Faces, Antonia Baehr designs micro-choreographies for four faces. We sit directly across from the performers, around whom we are positioned circularly—too near for the comfort zone of the parquet and too far apart to precisely identify the mimetic agitations in the face of our vis-à-vis. The physiognomy becomes a stage where spectatorship itself, in all its intimacy and movement, openness and force, shows its face as theatrical action par excellance. Through choreography, the faces’ movements are deprived of their decodability as coherent facial expressions; they set a zoom of attention in motion. This zoom causes performer as well as person to disappear before our eyes, just as it radically places the performer at seeing's disposal.” – Constanze Schellow

Day and evening program with lectures, performances, try outs, discussions, live sound installations, collective listening sessions with playlists selected by guests...

Of man and machine

Portrait of an East L.A. bar that has catered to the local Latin/LGBT (Lesbian, Gay, Bisexual & Transgender) community.

Lecture and debate on nature and nurture.

a rite of change!

Everyone Should Play his Part

A woman with the body of a macho dancer

A research on image and visibility

Could you watch a play like a landscape or a face where feelings pass by like light weather changes?

Reading and interview Catherine Hakim