On the building’s awning our name is spelt in various different ways: beurshowbrug, bourscaubirg, etc. Seven different spellings, but which is the ‘right’ one? Who was it who took it upon themselves to liberate Beursschouwburg from the shackles of official spelling? — What People Say, David Helbich, 2012, Facade signage, plexi glass & ferrite magnets

Have a sip of nature with the Bolivian Indiana Jones of Brussels.

Welcome to Brussels' netherworld of data emission.

In times of fake news and persistent colonial power structures, this programme would bring together forgotten, under-served and intuitive forms of knowledge. Would, because by that spring, almost all ways of coming together were hindered. "We made a booklet in the same format as the old Beursschouwburg programmes that would double as a programme, calendar, journal, and scrapbook. We found the theme to be quite difficult, complex and layered. So we used the orange and silver colours from work shirts and traffic cones. By letting grids, mirror writing and chalk paper play with each other, the booklet started to feel as layered as the programme. What is still hidden, what is already visible?"

"We wanted to keep it simple: just letters. But it proved difficult to break our habits and we soon started using the letters as illustrations.”

This rising-star film director is working on her first fiction feature film: about healing from the illusion of love, lost between empathy and guilt.

Multidisciplinary poet delving into the shadows of our (sub)conscious in search of censored poses, performances, forms, stories, noise and more wonderful abominations.

From speech to song, from text to score, from research to performance: this critical-poetic duo invites the audience to think about the production and transmission of histories.