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Les Graines Portent en Silence la Mémoire des Sources

Living archives give voice to decolonial resistance. With works from Emily Sarsam, Aziza Gorgi, Férielle Doulain-Zouari & Sarah Risheq

free
Wed 09.10.2024
17:00
opening night
Thu 10.10.2024
13:00-21:00
Fri 11.10.2024
13:00-21:00
Sat 12.10.2024
13:00-21:00
Wed 16.10.2024
13:00-17:00
Thu 17.10.2024
13:00-17:00
Fri 18.10.2024
13:00-17:00
Sat 19.10.2024
13:00-18:00
Wed 23.10.2024
13:00-17:00
Thu 24.10.2024
13:00-17:00
Fri 25.10.2024
13:00-17:00
Sat 26.10.2024
13:00-18:00
Wed 30.10.2024
13:00-17:00
Thu 31.10.2024
13:00-17:00
Fri 01.11.2024
13:00-17:00
Sat 02.11.2024
13:00-18:00
Wed 06.11.2024
13:00-17:00
Thu 07.11.2024
13:00-17:00
Fri 08.11.2024
13:00-17:00
Sat 09.11.2024
13:00-18:00
Wed 13.11.2024
13:00-17:00
Thu 14.11.2024
13:00-17:00
Fri 15.11.2024
13:00-17:00
Sat 16.11.2024
13:00-18:00
Wed 20.11.2024
13:00-17:00
Thu 21.11.2024
13:00-17:00
Fri 22.11.2024
13:00-17:00
Sat 23.11.2024
13:00-18:00
Wed 27.11.2024
13:00-17:00
Thu 28.11.2024
13:00-17:00
Fri 29.11.2024
13:00-17:00
Sat 30.11.2024
13:00-18:00
Wed 04.12.2024
13:00-17:00
Thu 05.12.2024
13:00-17:00
Fri 06.12.2024
13:00-17:00
Sat 07.12.2024
13:00-18:00
Wed 11.12.2024
13:00-17:00
Thu 12.12.2024
13:00-17:00
Fri 13.12.2024
13:00-17:00
Sat 14.12.2024
13:00-18:00
Wed 18.12.2024
13:00-17:00
Thu 19.12.2024
13:00-17:00
Fri 20.12.2024
13:00-17:00

This exhibition takes the earth as a central object of reflection, not as an abstract entity often reduced to general concepts like biodiversity in dominant ecological discourses, but rather as a local earth, rooted in humus, connected to subsistence and agriculture. The earth becomes a space of belonging, a place where stories of resistance and transformation are cultivated.

Les Graines Portent en Silence la Mémoire des Sources brings together works and thoughts that embody a decolonial ecofeminist approach. Sarah Risheq, Emily Sarsam, Aziza Gorgi, and Férielle Doulain-Zouari offer a collective reflection on the memory of the earth.

exhibition_text.pdf

curation and text by Ichraf Nasri

see also

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