We are showing three short films by the young Japanese-Belgian artist, Lisa Spilliaert (JP/BE).
► With a ticket of the screening of Lisa Spillaert, you can get a free ticket for the concert of Baio and Moonlight Matters!!
Just show your ticket at the entrance :-)
In addition to the screening of Growth Record 1, Growth Record 2 will premiere with us. In this long-term project, whose first two episodes are already available, Spilliaert records the growth of a child, whose mother might, as it were, have been the filmmaker herself. She had had sex with the Japanese man who became a father nine months later. Curious about the baby, she decided to photograph the child at regular intervals.
Lisa Spilliaert created a third film project, Hotel Red Shoes, together with her sister Clara. An old, nostalgic Japanese song, 'The Girl with the Red Shoes', and the Red Shoes love hotel in Tokyo together form the decor for mutually shared desire between Belgium and Japan. The film, Hotel Red Shoes, is the two sisters’ reinterpretation of the song.
Aftertalk moderated by Ann Overbergh.
+/- 60 min
NL/JP spoken
EN subtitles
Growth Record 1
8’45”
By: Lisa Spilliaert
Camera: Liam Singelyn
Montage: Elias Heuninck
Grading: Loup Brenta
Titles: Mario Debaene
Dutch monologue: Ilse Carbonez
JP-EN subtitles: Emi Kodama
NL-EN subtitles: Stijn Schiffeleers
Production: 2112
With the support of VAF Flanders Audiovisual Fund, Be-Part and The Province of West-Flandres
Growth Record 2
9’25’’
By: Lisa Spilliaert
Camera: Liam Singelyn
Editing: Elias Heuninck
Mixing: Laszlo Umbreit
Grading: Loup Brenta
Titles: Mario Debaene
JP-EN subtitles: Emi Kodama
NL-EN subtitles: Stijn Schiffeleers
Production: 2112
With the support of VAF Flanders Audiovisual Fund, Be-Part and The Province of West-Flanders
Hotel Red Shoes
15’
By: Lisa & Clara Spilliaert
Sound recording dialogue: Johan Vandermaelen
Mixing: Elias Heuninck
Titles: Mario Debaene
► Lisa Spilliaert (°1990) was born in Tokyo. Her mother is Japanese and her father Belgian. She grew up in Japan and moved to Belgium when she was 17. Spilliaert uses the rangefinder of her camera to bridge distances, and to unite mental reference frameworks.
